摘要
伴随着五四新文化运动,多所美术学校在中国创立。西方美术教育模式的引入,使油画从“器物”层面进入文化母体,有了合法身份;诸多西画社团的成立,拉开了油画在中国启蒙与发展的序幕,舶来品的油画也开始了在中国曲折而艰难的本土化探索。从此,中国油画和国画在发展中齐头并进、相互促进,不但完善了中国绘画的种类和体系,而且在相互借鉴、融合、共生中,共同书写了民族绘画的历史新篇章。
Many art schools had been founded in China since the breaking out of the May Fourth New Culture Movement. With the introduction of western art education pattern, oil painting has developed into a part of the cultural main body from the aimplementM and acquired a legal identity. The establishment of many western painting societies was a prelude to the enlightenment and development of oil painting in China. Then the oversea oil painting also began the tortuous and rough exploration of localization. Since then, based on the synchronous development and the mutual promotion, learning and integration, Chinese oil painting and traditional Chinese painting have not only improved Chinese painting system, but also created a new chapter in the history of national painting.
出处
《美术》
CSSCI
北大核心
2019年第5期94-97,共4页
Art Magazine
关键词
五四新文化运动
中国油画
美术教育
写实主义
The May Fourth New Culture Movement
Chinese oil painting
art education
realism
