摘要
大嘴突击队是当今欧洲具有引领地位的独立剧团,演出空间构作是他们的核心概念和创作出发点。《客服服务》、《就在你眼前》、《西方社会》三部作品分别展示了在非剧场和剧场两类空间中,隔离与渗透、隔离与凝视、共享与操纵三种动态空间关系,这三种空间关系隐喻并挑战了当代社会关系和社会秩序。正是在后戏剧剧场语境中,大嘴突击队将演出置于戏剧与现实之间,使演出成为一个过程性的事件,才凸显了空间自身的展演性,使空间成为作品的结构性组成和主题性表达。大嘴突击队的空间实验表明:剧场在表达当代社会关系和生存经验时,空间在方法论上拥有对于时间的优先性。当空间如同演员一般表演,也许比演员的表演更能抵达当代社会真实。
Gob Squad is a leading independent theatre in Europe. Dramaturgy of performance space is the core concept and motif in their creation. In Room Service,Before Your Very Eyes and Western Society, they built three different spatial relations of isolation/permeation, isolation/gaze,and sharing/manipulating in conventional theatre and alternative spaces. These could be considered as metaphors of modem power relations and social order. It is in the post-dramatic context, when God Squad places their performance between theatre and reality, and makes their performance a process instead of a finished artwork, that the performativity of space is foregrounded. Space then becomes expressive of the theatrical theme and integral to the structure of performance. Gob Squad’s spatial experiments indicate that space is methodologically prior to time in illustrating modern social relationships and existential experiences. When space performs as an actor, it may go deeper into the reality of modern society.
出处
《戏剧艺术》
CSSCI
北大核心
2019年第2期47-59,共13页
Theatre Arts
基金
国家社科基金艺术学重大项目"当代欧美戏剧理论前沿问题研究"(18ZD06)阶段性成果
关键词
大嘴突击队
演出空间构作
空间的展演性
后戏剧剧场
Gob Squad
dramaturgy of performance space
performativity of space
postdramatic theatre
