摘要
改革开放40年来,中国外国文学研究者引进和吸收西方国家的文艺理论、批评方法和研究观点,在外国文学批评上取得快速发展,已足以形成我们自己的批评立场、模式和理论。比照中西思想之异同,探讨中国外国文学批评的立场、导向和方法,将有益于探明新时代中国外国文学批评的发展趋势。在批评立场上,以翻译引进和充分运用西方文论这两个阶段为基础,我们的外国文学批评正处在"以我为主,为我所用"的新阶段,要坚持"中国思维"和"对话创新"原则,即以中国思维为主导,力求中西贯通,展现我们的世界主义视野。在批评导向上,面对西方现当代批评理论先导且频繁建构/解构的趋势,我们的外国文学批评可遵循"知人论世""以意逆志""六观说"等中国诗学原则,中西互鉴,推进审美批评。在批评方法上,面对西方批评根深蒂固的"定义—分析"修辞学模式,我们的外国文学批评可遵循中国诗学的"整体观照法",不仅促进审美批评,而且实现中国批评理论的创新。
Since the implement of Reform and Opening-up policy 40 years ago,Chinese researchers on foreign literatures have introduced and absorbed Western literary theories,critical approaches and research viewpoints abundantly,and have witnessed a rapid development in the Chinese foreign literature criticism,which makes possible the formation and enhancement of Chinese critical position,modes and theories in this field.The development trends of Chinese literary criticism in the New Era will be examined from three perspectives,namely,positions,orientations and methodologies.In terms of critical position,Chinese criticism is in a new stage of ″adhering to ourselves and benefiting for our own use″,which means that our criticism will follow the principles of ″Chinese mode of thinking″ and ″dialogue-innovation″.The former refers to an adherence to Chinese xiang(image) thinking pattern,which is characterized by an integral,correlative,complementary and dynamic thinking way based on the unity of nature and human beings and that of subject and object.The latter indicates an effort to unify China and the West,to be more specific,to blend Chinese holistic vision with Western rational analysis,and to fuse perception of soul with an analysis of things in order to interconnect aesthetic comprehension with rational cognition.In terms of the critical orientation,firstly we need to recognize that the difference between Western dominant epistemological criticism and Chinese dominant aesthetic criticism is that the former regards critical object as a ″thing″ to be analyzed rationally so as to deduce and verify general truth,in other words,it begins with a theoretical hypothesis,and its rational analysis leads to an ultimate verification or amendment of the hypothesis,the latter considers critical object as ″soul″ to be comprehended by the critic so that he may experience communication,resonance and insight in the literary work,in other words,it starts from the intersection of life perception between the critic and the l
作者
高奋
Gao Fen(School of International Studies,Zhejiang University,Hangzhou 310058,China)
出处
《浙江大学学报（人文社会科学版）》
CSSCI
北大核心
2019年第2期177-188,共12页
Journal of Zhejiang University:Humanities and Social Sciences
基金
国家社科基金项目(14BWW006)
关键词
中国外国文学批评
批评立场
批评导向
批评方法
Chinese foreign literature criticism
critical position
critical orientation
critical methodology
