摘要
本文考察当前热门的穿越题材文艺作品。首先从文本世界理论的角度定义了“穿越”的特殊之处,指出“穿越”是一种特殊的文本世界及次文本世界的连接方式。其次,从“符号自我”理论的角度分析人如何通过三种元语言构建符号自我,指出穿越类作品中的人物构建符号自我的独特之处。再次,从符号学角度说明当下中国穿越类作品的三个特点--倾向于穿越回过去,享乐主义的蔓延,缺乏担当,进而基于此指出正确看待符号自我的方式。
This paper focuses on popular works on time travel, starting with its definition from text world theory. Time travel works are peculiar in their special connection between the text and subtext worlds. From the perspective o f the “ semiotic self”,this paper analyses ways to build the semiotic self through three metalanguages and points out the uniqueness of the establishment of the semiotic self in time travel works. Three features o f contemporary Chinese time travel works are then summarised: a tendency to return to the past, the pursuit o f hedonism and a lack o f responsibility. Ways to treat the semiotic self correctly are contemplated.
作者
云燕
YunYan(School of Literature, Henan Normal University)
出处
《符号与传媒》
2019年第1期209-218,共10页
Signs & Media
关键词
穿越
符号自我
元语言
向下还原
time travel
semiotic self
metalanguage
downward reduction
