摘要
清代有大批的壮族文人投入到汉诗的写作中来,他们自称为"侬",对壮族风俗予以赞美歌咏,还原其本真面貌,呈现出不同于汉族诗人笔下的壮族形象,以此表达了对本民族的认同。然而,就壮民族自身而言,他们对妇女之忠贞守节并不看重,但壮族诗人却大力赞扬忠贞烈女;壮族歌谣本是随性而发、通俗易懂,但壮人在诗歌创作中却以文字为诗、以议论为诗、以才学为诗,带有明显的宋诗特色;此外,他们在竹枝词中坚持壮民族立场,却在官修地方志中对壮俗持反对态度。以上种种现象极其复杂矛盾的心态,实是汉壮文化融合的表现,而这种民族的自我认同和汉壮的相互融合,亦是有清一代广西地区民族融合的一个缩影。
In the Qing Dynasty,a large number of Zhuang poets were engaged in the writing of Han poetry.They called themselves “nong” and sang praises to the customs of zhuang nationality.They restored their true appearance and presented the images of zhuang nationality that were different from those written by han poets.However,as far as the zhuang nationality is concerned,they do not attach importance to the loyalty and purity of women,but the zhuang poets praise the loyal and fierce women.The Zhuang songs are spontaneous and easy to understand,but in their poetry creation,zhuang people take the words as a poem,discussion as a poem,and talent as a poem,with obvious characteristics of song poetry.In addition,they stick to the stance of the zhuang nationality in the bamboo branch,but regard themselves as barbarians in the official local annals.All the above phenomena and their complicated mentality are the manifestation of the cultural integration of Han and Zhuang,and these are the epitome of the ethnic integration of Guangxi in the Qing Dynasty.
作者
朱春洁
ZHU Chunjie(Department of Chinese,Wuhan University,Wuhan,Hubei 430072,China)
出处
《河池学院学报》
2019年第1期30-36,共7页
Journal of Hechi University
关键词
壮族
自我认同
汉文化
汉壮融合
Zhuang
self-identity
han culture
Han Zhuang fusion
