摘要
古琴曲《流水》是现存琴曲中流传最广、最耳熟能详的琴曲之一。该曲最早见于明藩王朱权编订的《神奇秘谱》,在后世的流变过程中形成了四十一个谱本;不同谱本所包含的琴曲表达意向、指法运用、音阶结构、减字谱等艺术特征均存在异同,由这些谱本归类而成的五个传谱系统清晰地反映了琴曲的发展脉络和不同时期的琴乐特点。除可纳入系统的谱本外,琴谱延伸出的四类特殊系统与版本也彰显着此曲的艺术魅力以及人文价值。
Liushui is one of the most popular and familiar guqin composition among the existing editions. This song was first seen in Shenqi Mipu which was compiled by Zhu Quan in the Ming dynasty and this piece of music has developed to 41 editions in the circulation of the past dynasties. There are similarities and differences in the artistic features such as the expression of piano music, the use of fingering, the scale structure, and the reduction spectrum contained in different editions. The five spectral systems classified from these editions clearly reflect the development of piano music and the characteristics of piano music in different periods. In addition to the spectrum that can be included in the system, the four special systems and versions of the spectrum also demonstrate the artistic charm and humanistic value of the song.
出处
《浙江艺术职业学院学报》
2018年第4期63-74,共12页
Journal of Zhejiang Vocational Academy of Art
关键词
《流水》
版本
指法
音色
表达意向
Liushui
version
fingering
timbre
expression intention
