摘要
诗歌是一种高度凝练的语言艺术。意象、意境是诗歌创作、欣赏的核心要素。中国传统诗学、美学对二者在诗歌创作、欣赏过程中的具体运作机制往往仅作印象式的"顿悟"分析。从人类普遍认知主义原则出发的认知诗学研究为解释诗歌意象意境具体生发机制提供了新路径。以送别诗《送元二使安西》为例,从认知诗学的图形背景理论、文本世界理论入手解释其中的主次意象明晰过程、依依惜别的意境感知过程,从而为读者理解和欣赏中国古典诗词提供有益的启发作用。
Poetry is a highly condensed art of language. Image and artistic perception are the core elements of poetry writing and appreciation. Chinese traditional poetics and aesthetics tend to make an impressionistic "epiphany" analysis of the specific operational mechanisms which are applied to in the process of poetry writing and appreciation. Cognitive poetics from the principle of universal cognitive provides a new way to explain the specific germination mechanism of the poetic imagery. The farewell poem ending Yuan to Anxi is interpreted from the figure/ground theory and the text world theory so as to provide useful inspiration for understanding and appreciating China Classical poetry.
作者
张之材
Zhang Zhicai(School of Foreign Language, Chongqing University of Arts and Sciences, Chongqing 402160, China)
出处
《黑龙江工业学院学报（综合版）》
2019年第2期143-147,共5页
Journal of Heilongjiang University of Technology(Comprehensive Edition)
关键词
认知诗学
意象
意境
《送元二使安西》
cognitive poetics
image
artistic perception
Sending Yuan to Anxi
