摘要
邓以蛰是我国近现代著名的书画美学理论家。从他对书法、绘画的有关论述来看,其美学研究的方法可以归纳为:扎根于本土,从书画演进史的视域去阐释相应的理论命题,即史论结合;在具体的论说过程之中,又交叉地运用了比较、出土实物与美学研究相互证的方法;多种方法的综合运用,促使其完成了对中国书画理论的重释与建构,推进了古典美学现代转换的历史进程,为当下的美学研究提供了重要的方法论指导。
Deng Yizhe is a famous painting and calligraphy aesthetic theorist in modern China. His aesthetic study can be summarized as "one center,two basic points". The central point is that he rooted in the Chinese painting and calligraphy to explain the corresponding theoretical proposition. The basic points refer to the methods of comparison,excavated object and aesthetic study in the process of specific argumentation. The comprehensive application of various methods has promoted the re-interpretation and construction of Chinese painting and calligraphy theory. He promoted the historical transformation of classical aesthetics and provided important methodological guidance for the current aesthetic research.
作者
樊祥
Fan Xiang(School of Liberal Arts,Hunan Normal University,Changsha,Hu’nan 410081,China)
出处
《黑龙江工业学院学报（综合版）》
2019年第2期20-24,共5页
Journal of Heilongjiang University of Technology(Comprehensive Edition)
关键词
邓以蛰
美学研究方法
书画艺术理论
Deng Yizhe
aesthetic research methods
theory of calligraphy and painting
