摘要
安庆师范大学学生认为,当下中国戏曲衰落的主要原因是:现代娱乐方式的多样化导致戏曲的边缘化,外来文化的冲击,缓慢的节奏难以被年轻人所接受,观众后继无人。关于戏曲的未来发展,学生建议:戏曲创作要有现代意识要满足年轻人的心理需求,改进戏曲的传播方式和载体,面向外行经营,积极创造一种能延续传统的文化环境。从大学生的意向来看,戏曲未来的市场空间依然存在,振兴戏曲一定要抓住学校教育这个重要环节,戏曲改革要稳妥谨慎、循序渐进。
Students from Anqing Normal University believe that the main reason for the decline of Chinese opera roughly includes four aspects: the marginalization of opera caused by the diversification of modern entertainment methods, the impact of the exotic culture, young people’s abandonment due to its slow rhythm, and the absence of the audiences. With regards to the opera’s future development, the students suggest that the creation of opera needs modern awareness and should meet young people’s psychological demands, opera needs to improve its way of spread and carrier, the operation of opera should be open to people form other sectors, and a cultural environment which can help the tradition continue should be created actively. Therefore, we think that there is still market space for opera in the future, school education as an important link to revitalize opera should be highly emphasized, and the reform of the opera should be steady, cautious and gradual.
作者
张俊
吴春平
ZHANG Jun;WU Chunping(School of Literature, Anqing Normal University, Anqing, Anhui, 246011)
出处
《安庆师范大学学报（社会科学版）》
2019年第1期102-106,共5页
Journal of Anqing Normal University：Social Science Edition
关键词
中国戏曲
衰落
发展
大学生
Chinese opera
decline
development
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