摘要
20世纪八九十年代日本恐怖电影作为后现代主义文化的一种形式,反映了社会快速发展过程中人们对生存环境、社会人际关系的忧虑和日本社会对未来的恐惧、对现状的不满以及对过去的反思,充分体现了日本民族的文化特点:菊与刀的矛盾。日本恐怖电影在吸收了西方恐怖电影创作手法的同时,将本民族文化与之融合,并赋予其一定的时代内涵,在立意和创新上带给了我们深刻的启示。
Japanese horror cinema, which is a form of postmodernism culture in the 1980s and 1990s, reflects not only people's worries about the living environment and social interpersonal relationships, but also the Japanese society's fear of the future, the dissatisfaction with the status quo as well as the reflection on the past. It fully embodies the cultural characteristics of the Japanese people: the contradiction between the chrysanthemum and the knife. Japanese horror cinema absorbs the methods of Western horror film creation, and integrates the national culture with Western culture as well. Giving a certain connotation of the times, Japanese horror cinema brings us profound inspiration in the concept and innovation.
作者
焦素娥
赵阳华
JIAO Su-e;ZHAO Yanghua(School of Communication, Xinyang Normal University, Xinyang 464000 ,China)
出处
《信阳师范学院学报（哲学社会科学版）》
2019年第2期129-133,共5页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
基金
河南省哲学社会科学规划项目(2016-HTW-021)
