摘要
现实主义美学品格作为中国电影的优秀传统经历了改革开放初年创作群体的自觉选择,到20世纪80年代中国西部电影的美学接续升级,再到90年代末至今的多元裂变与互渗融合,总体上呈现出一种张扬与隐遁交叠、内在意指和外在形式不断扩充的实践路径。中国电影的现实主义审美从批评角度要把握时代感和历时性,在一种总体的审美观照和纵向的接受美学中把握当下的现实主义电影表达方式。这对于中国电影价值体系和美学体系建设,对于促进中国电影建立更加完善有序的市场生态体系都具有非常重要的作用。
Realistic aesthetic character is an excellent tradition of Chinese film and it experienced several stages:collective conscious selection in the early years of the Reform and Opening Up,aesthetic continuous upgrading of Chinese western films in the 1980s,and diverse fission and interactive fusion after the 1990s.In a general description of the practice path,swanking and reclusion are overlapped,internal connotation and external are enhanced.The criticism of realistic aesthetics of Chinese film should hold the sense of time and diachronism.The realistic film expression should be understood in two fields:the one is a general aesthetic consideration and the other is a vertical acceptance aesthetics.These requirements are crucial to both the construction of Chinese film value and aesthetic systems and the advance of a more complete and ordered market eco-system of Chinese films.
作者
张阿利
李磊
Zhang Ali;Li Lei(School of Literature,Northwest University;Shaanxi Film Association,Xi’an,Shaanxi,710127)
出处
《民族艺术研究》
CSSCI
2019年第1期36-47,共12页
Ethnic Art Studies
关键词
改革开放40年
中国电影
现实主义
审美经验
实践路径
中国西部电影
40 years of the Reform and Opening Up Policy
Chinese films
realism
aesthetic experience
practical path
Chinese western films
