摘要
梁启超是活跃在清季和民初两个时期的诗歌文体家,其在五四前后提出了"过渡时期"的"最中庸"新诗文体观。他主张文言诗与白话诗折中,新体诗与旧体诗调和;他还主张积极拓展诗体的疆界,调和诗词曲赋歌谣山歌弹词,将其一并纳入新诗以建构"广义的诗";借助音乐元素建立新诗的"音节;而其"过渡期"的"新诗"文体典范,仍然是"旧风格"与"新意境"相统一的黄遵宪诗歌。进入五四新文学之后,梁启超仍然停留在清末之时自己的认识水平上,这也反映了其文学认知的"常"与时代要求的"变"之间的落差。
A poetic stylist active in the Qing Dynasty and the early period of the Republic of China,Liang Qichao proposed the“most moderate”view on new poetic style in the“transition period”before and after the May 4th Movement.He advocated the compromise between classical poetry and vernacular poetry as well as between the new-style poetry and old-style poetry.Moreover,he also advocated actively expanding the boundaries of the poetic style so as to harmonize poetry,ci poems,ballads and folk songs,etc.,and to incorporate them into new poetry to construct“poems in a broad sense”.In his view,the syllables of new poetry can be established with the help of musical elements,and Huang Zunxian’s poems-a unity of the“old style”and“new conceptions”-are still the model of“new poetry”in the“transitional period”.After his participation in the new literature of the May 4th Movement,Liang Qichao still maintained his own level of understanding in the late Qing Dynasty,which also reflected the gap between the“constant”of his literary cognition and the“change”of the times.
作者
熊文韵
赵黎明
XIONG Wen-yun;ZHAO Li-ming(College of Liberal Arts,Chongqing Normal University,Chongqing 401331,China;School of Humanities,Jinan University,Zhuhai 519070,China)
出处
《海南师范大学学报（社会科学版）》
2018年第6期29-34,共6页
Journal of Hainan Normal University(Social Sciences)
基金
教育部人文社科西部项目"现代中国古典主义‘新诗'理论研究"(项目编号:10XJA751006)的阶段性成果
关键词
梁启超
“过渡期”
“新诗”
文体观
Liang Qichao
"the transitional period"
"new poetry"
the style view
