摘要
本文尝试结合当代心理学家、音乐家、教育家何绍甲先生《冰庵印选》和他传世书法作品的印鉴以及相关文献史料等,对何氏篆刻艺术的风格、类型、意趣等方面进行初步的探析,并将之置于宏观的当代广东篆刻史之中,进一步挖掘出何氏篆刻技艺以外的学养与篆刻艺术语言的融汇以及当代岭南学者印风的特色及其艺术传播的策略等。
This article attempts to incorporate interpretation of the seals on the calligraphy works by Mr.He Shaojia,a contemporary psychologist,musician and educator,and some relevant historical materials into an appreciation of Mr.He’s Selected Seals from the BING AN;a preliminary study of the artist’s seal cutting from perspective of style,type,and orientation of interests as presented in the article has managed to locate understanding of his art in the large picture of modern Guangdong seal cutting art history in an effort to find out how the cultural learning behind the artist’s seat cutting craftsmanship is integrated into the the artistic language of the seal cutting,the special qualities imprinted on seal cutting works done by contemporary Canton scholar-artists and lastly,the strategies for promulgation of their artistic beliefs and practices.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2019年第1期81-85,210,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
2016年度教育部人文社会科学研究青年基金项目(16YJC760028)阶段性成果
关键词
《冰庵印选》
何绍甲
学问涵养
学者印风
Selected Seals from the BING AN
He Shaojia,Cultural Learning
Seal-cutting Styles of the Scholar-artists
