摘要
汉魏六朝诗中有很多高楼或高台意象,广泛分布于登览、闺情、游仙等题材。但这些意象来历不明,不知何指。从历史地理、都城建设和文学的关系看,魏初邺都西北的铜雀台和洛阳北宫是汉魏古诗中西北高楼的原型。高楼意象来源于这两都的城市建筑与文人生活。当城市建筑和文人生活对接时,文学就在这里发生交集,魏晋间第一批写城市风光和宫廷建筑的作品就此诞生。在这些作品中,一部分为登临览胜赋物写景,意象较浅;一部分系比兴象征,感慨较深。此后之作则是对汉魏诗的模拟,但仍有审美构建及题材拓展、主题深化的意义。
There were many images of tall buildings and tall platforms in the poems of Han,Wei and Six dynasties.But the origin of these images was unknown.From the relationship between historical geography,capital construction and literature,Tongquetai in the northwest of Yedu at early Wei dynasty and Luoyang north palace were the prototypes of northwest tall buildings in ancient poems of Han and Wei dynasties.The image of tall buildings came from the urban architecture and literati life in these two cities.When urban architecture and literati life intersected,literature appeared,and the first works about urban scenery and palace architecture came into being in Wei and Jin dynasties.In these works,a part was about paying a visit to the landscape and writing the scenery with a shallow imagery;another part was full of symbols and expressed deep feelings.Later works were the simulation of Han and Wei poems,but still had the significance of aesthetics construction,subject expansion and theme deepening.
出处
《中州学刊》
CSSCI
北大核心
2019年第2期140-146,共7页
Academic Journal of Zhongzhou
基金
国家社会科学基金重大项目"中国古代文学制度研究"(17ZDA238)
关键词
汉魏
邺都
洛阳
宫阙
高楼意象
Han and Wei dynasties
Yedu
Luoyang
palace
image of high-rising buildings
