摘要
汉江师范学院民乐团在培养学生专业素质与能力的同时,一直坚持对武当山道教音乐的传承。民乐团成员在武当山实地生活与道教活动中感悟与演奏,是较为鲜活的文化传承,对道乐内涵传承具有推动作用。在文化人类学视野下,利用主位、客位的观察需要总结与反思,以更好开展田野调查。
Folk Orchestra of Hanjiang Normal University has always insisted on Taoist music inheritance as well as cultivating students’professional quality and competence.The orchestra members have taken an active part in field life of Wudang Mountains and performing of Taoist rituals and ceremonies,which is a lively cultural inheritance and a promotion to the inheritance and spreading of Taoist music connotation.From the perspective of cultural anthropology and by use of host-position and guest-position methods,Taoist music inheritance was studied for a better field study.
作者
康平
KANG-Ping(School of Art,Hanjiang Normal University,Shiyan 442000,China)
出处
《汉江师范学院学报》
2019年第1期1-5,共5页
Journal of Hanjiang Normal University
基金
汉江师范学院校级重点项目:鄂西北高校民乐团艺术实践与传统音乐文化传承(项目编号:2015A03)
关键词
汉江师范学院民乐团
武当山经乐团
主位法
客位法
Folk Orchestra of Hanjiang Normal University
Classical Orchestra of Wudang Mountains
host-position method
guest-position method
