摘要
贾平凹的小说《极花》是一部贴近现实的文学创作。它以进城而被拐卖的农村少女胡蝶为叙述者,展现了社会现代化进程中走向凋落的乡土的缩影。这种针砭时弊而进行的乡土书写,深涵着贾平凹对农村生存现状问题的深刻批判。小说所呈现的现实批判中不仅充斥着传统与现代的矛盾、城市与乡土的矛盾,而且还包含着无从救赎的精神困境。
Jia Pingwa's novel flower worm is a literary creation close to reality.With Hu Die as a narrator of novel,who is a rural girl carried off into the city,the novel shows the microcosm of the withered countryside in the process of modernization.This kind of vernacular writing that criticizesthe situation,deeply embodies Jia Ping-wa's profound criticism for the current situation of rural survival.But its realistic criticism is not only full of contradictions between tradition and modernity,but also between the city and the countryside,it also faces the plight of no way to save.
作者
徐小雪
XU Xiaoxue(College of Liberal Arts,China West Normal University,Nanchong,Sichuan,637009,China)
出处
《西安石油大学学报（社会科学版）》
2019年第1期108-112,共5页
Journal of Xi’an Shiyou University:Social Science Edition
关键词
贾平凹
《极花》
现实批判
精神困境
无从救赎
Jia Pingwa
Flower Worm
reality criticism
spiritual predicament
no way to save
