摘要
"蒙古大《列王纪》"插图本是伊儿汗王朝时期波斯细密画的代表作,也是标志着波斯细密画走向成熟的作品。中国艺术和拜占庭艺术的影响在这一发展进程中无疑起了重要促进作用,同时波斯艺术家为融合各种不同属性的艺术元素所作的努力具有更为重要的意义。画家们卓越的个人才华使他们在奉行"拿来主义"的同时,积极消化、吸收、创新,将外来艺术元素本土化,由此获得了另一种新的艺术生命力。正是得益于波斯艺术家们的努力,外来艺术元素最终在"蒙古大《列王纪》"插图本中成功消融在波斯艺术根深蒂固的装饰性风格中。由此,波斯细密画形成了自己的独特风格,成为世界艺术大观园中的一朵奇葩,而非某种外来艺术的附庸。
The illustrated manuscript of The Great Mongol Shahnamah is a representative work of the Persian miniature during the period of IL khan Empire, and it is also the work which marks the Persian miniature driving to maturity. There is no doubt that the influence of Chinese art and Byzantine art played an important role in this process. Meanwhile, efforts made by Persian artists for fusion of different art elements has more significance. When outstanding artist pursued "bringism", they also absorbed and innovated actively, and localized foreign art elements, which created another new artistic vitality. It was benefit from efforts of Persian artists, finally, the foreign art elements in the illustrated manuscript of The Great Mongol Shahnamah were integrated in the deep-rooted decorative style of Persian art. Thereout, the Persian miniature completed its own unique style, and have become a treasure of the world arts, but not an appendage of some foreign art.
作者
穆宏燕
MU Hongyan(School of Asian and African Studies, Beijing foreign Studies University, 100089, Beijing, China)
出处
《北方工业大学学报》
2018年第6期55-63,共9页
Journal of North China University of Technology
基金
北京外国语大学重点项目"波斯古典文学作品插图艺术发展史"(2017JJ003)
