摘要
一代大儒饶宗颐不仅富于学而且精于艺。他着意于诗词歌赋,醉心于琴曲书画,常有独到之创作,多发醒人之言论。在其艺术观点的表达中往往隐含着理性的艺术诉求和艺术理想,艺术创作中亦蕴含着共同的艺术心灵。他认为"和"是中国艺术的核心思想,"太和"则是艺术心灵的极致境界。"和"的艺术理念引领着其艺术创作的求和之心、向和之路、成和之境,成为其艺术作品的内在理趣。
Rao zongyi,a great scholar of the generation,was not only academic but also skillful.He was good at poetry,music,calligraphy and painting.In the expression of his artistic views,there were implicit and rational artistic appeals and artistic ideals.In his artistic creation,there was a common artistic spirit.He believed that“harmony”was the core idea of Chinese art,and“Taihe”was the ultimate state of artistic mind.The artistic concept of“harmony”guided his pursuit of harmony,the way to harmony and the realm of harmony in his artistic creation,and became the intrinsic reason of his artistic works.
作者
史爱兵
曹福强
SHI Ai-bing;CAO Fu-qiang(College of Art,Hebei University,Baoding,Hebei 071002,China)
出处
《河北大学学报（哲学社会科学版）》
北大核心
2019年第1期82-89,共8页
Journal of Hebei University(Philosophy and Social Science)
基金
教育部人文社会科学研究青年基金项目"20世纪以来中国学人与昆曲艺术的传承
发展研究"(14YJC760048)
河北省高等教育教学改革研究与实践项目"‘理趣’释义下中国山水画写生教改探究"(2016GJJG360)
关键词
饶宗颐
艺术心灵
太和之境
Rao ZongYi
the artistic mind
the realm of Taihe
