摘要
萧红习惯于将女性细腻而敏感的情绪体验充分融入到作品之中,从而使作品的字里行间都充溢着不拘一格的复杂感悟。从三个方面探究萧红的成名作《生死场》,一是"母亲神话"的分崩离析,致力于消解母亲光辉伟大的形象;二是人类在本能欲望驱使下呈现出动物的"本我"生存;三是从民族文化的根源揭露封建主义对女性的精神奴役,致力于在现实生活中寻求精神解放之路。
Xiao Hong is accustomed to fully incorporating women’s delicate and sensitive emotional experience into her works, so that the lines of her works are full of unconventional and complex feelings. This paper probes into Xiao Hong’s famous work The Field of Life and Death from three aspects: firstly, the disintegration of “mother’s myth” and his efforts to dispel the glorious and great image of mother; secondly, the existence of animal’s “id” driven by human instinct desire; and thirdly, the spiritual enslavement of feudalism to women from the root of national culture to seek spiritual liberation in real life.
作者
李雅萍
LI Yaping(School of Literature, Liaoning Normal University, Dalian 116081, China)
出处
《淮海工学院学报（人文社会科学版）》
2019年第2期41-43,共3页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
关键词
萧红
《生死场》
“母亲神话”
动物本能
精神解放
Xiao Hong
The Field of Life and Death
“mother’s myth”
animal instinct
spiritual liberation
