摘要
《洛阳伽蓝记》作为北朝文学的高标,是观察南北朝文学演进的实例。通过杨衒之的"实录"文学理念与《洛阳伽蓝记》文本本身传异记录的对比,体现出史传与子书两种传统关注焦点与叙事方式的不同,及这两种叙事传统在《洛阳伽蓝记》中的冲突与平衡,借此讨论《洛阳伽蓝记》的故事因素在魏晋南北朝小说史发展中的地位。
As one of the masterpieces of Northern dynasties,Luoyang Buddhist Temples is an example of observing the evolution of literature in Northern and Southern Dynasties.Through the comparison between the Yang Xuanzhi’s literary theory of"record"and the biography of Luoyang Buddhist Temples itself,this paper discusses the differences of traditional focus and narrative style in historical biography and sub-book,and of the conflict and balance in the two narrative traditions of Luoyang Buddhist Temples.As a result,this paper discusses the status of story factor of Luoyang Buddhist Temples in the novel history development during Wei Jin Southern and Northern Dynasties.
作者
洪橙
Hong Cheng(School of Literature,Northwest Normal University,Lanzhou 730070,China)
出处
《黄山学院学报》
2018年第6期53-57,共5页
Journal of Huangshan University
关键词
《洛阳伽蓝记》
实录
故事因素
子书传统
Luoyang Buddhist Temples
authentic record
story factor
Sub-book traditions
