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影视剧中“白莲花”女主的兴起、反叛与变异回归——基于女性主义视角下的考察

The Rise,Rebellion and Alteration of the “White Lotus” Heroines in Movies and Tv Dramas: Exploration from the Perspective of Feminism
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摘要 "白莲花"一词污名化后,被广泛用在称呼那些依附男性、过分善良、无限牺牲自我,却往往害了别人或看起来单纯善良却虚伪自以为是的女性,琼瑶剧女主等成为其代表。反"白莲花"的作品如《金枝欲孽》《甄嬛传》等通过展现女性腹黑背后的无可奈何和只能依靠智慧、心机才能存活的现实,以及女人斗女人没有赢家的悲惨结局控诉男权社会的残酷,具有强烈的抗争意义。近些年霸屏的玛丽苏女主将改头换面的"白莲花"或"傻白甜"重新拉回,她们虽然拥有知识、主动积极并具有一定程度的抗争精神,却因更加污名的"绿茶婊"恶毒女配的加盟,将女人斗女人"变名为实",降低甚至消解了女性的抗争性。在"娱乐至死"、女性被广泛污名和被消费的时代,女性需要重新团结起来,寻找新的"解放"之道。 After the stigmatization of"White Lotus",it is widely used to refer to women who depend on men.Such women appear to be too kind,sacrificing,but often harm others or seem purely kind but hypocritical and self-righteous. Heroines in Qiong Yao ’s drama are representative. "Anti-White Lotus " works such as"Beauty and war","Empresses in the Palace"and so on,display the helplessness behind wicked women and the reality that they can only rely on wisdom,scheming to survive.Such works show the tragic ending of women fighting women without winners to sue the cruelty of patriarchal society,revealing strong resisting awareness.And heroines of Mary Sue style will call back the "white lotus"or "stupid white sweetie".Although such female characters still show certain degree of resistance and possess knowledge and initiative,but because of the more devious"green tea bitch",their resistance is greatly discounted and the way between women and women is turned real. In an era of "entertain to death"and wide stigmatization and consumption of women,women need to reunite and find new ways to liberation.
作者 崔应令 CUI Ying-ling(Wuhan University,Wuhan 430072,China;National University of Singapore,Singapore 259770)
出处 《山东女子学院学报》 2019年第2期77-83,共7页 Journal of Shandong Women's University
关键词 白莲花 抗争 女性主义 white lotus resistance feminism
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