摘要
清代瓷器流传至今,存世作品数量较多,官窑瓷器制作精致,器身装饰绘画多含寓意。"康雍乾"时期国力富足,瓷器制作工艺水平高超,装饰精细华美,绘画色彩丰富,气韵生动。"同光中兴"时期国家历经战乱后暂时安定,官窑恢复烧造,制瓷业稍有复苏,但在制作工艺、绘画手法、色彩应用上已远不及"康雍乾"时期的辉煌。通过对"康雍乾"和"同光中兴"时期相同题材的瓷器装饰绘画在造型特征、装饰色彩、纹饰手法、制作工艺等方面的对比,探索清瓷器由盛转败的原因,见证清末社会之衰败。
Qing-dynasty porcelain has been passed down to this day with a large number of surviving pieces. The porcelain in official kilns is exquisite with decorative paintings with profound allusions. The reign of Kangxi,Yongzheng and Qianlong of the Qing Dynasty is a period of prosperity,and also a period of maturity in porcelain production,with sophisticated and fine decorations,rich colors and vivid effect. During the reign of Tongzhi and Guangxu,the empire was in a temporary stability after the war. Although the official kilns resumed kilning and the porcelain industry recovered slightly,the porcelain was far inferior in production technology,painting techniques and use of color. By comparing the decorative paintings of porcelain during the reign of Kangxi,Yongzheng,Qianlong and the reign of Tongzhi,Guangxu,this paper explores the causes for the decine of Qing-dynasty porcelain,which is also a witness of the fall of the late Qing society.
出处
《福建商学院学报》
2018年第6期94-100,共7页
Journal of Fujian Business University
关键词
"康雍乾"
"同光中兴"
瓷器装饰绘画
社会精神
the reign of Kangxi,Yongzheng and Qianlong
the reign of Tongzhi and Guangxu
decorative paintings of porcelain
social spirit
