摘要
严歌苓的长篇小说《第九个寡妇》展现了复杂年代的风云变幻,同时成功塑造了农村寡妇王葡萄的形象。分析王葡萄与6个男人之间存在的"无爱之性""精神之爱""灵肉合一"的3种情爱模式,揭示小说情爱叙写从灵肉分离到灵肉结合的基本走向,可进一步探究作者思想深处灵肉合一的理想爱情观以及作品蕴含的女性主体意识。
Yan Geling's novel The Ninth Widow depicts constant change of events in the complex era to the readers and successfully shapes the image of a rural widow Wang Putao.This thesis analyzes the three love modes of“non-love”,“spiritual love”and“spiritual and physical unity”between Wang Putao and six men,reveals the basic trend of the novel from spiritual separation to spiritual and physical integration,and further explores the authors ideal love concept of spiritual and physical unity and the female subject consciousness contained in the novel.
作者
秦东方
QIN Dongfang(School of Liberal Arts,Henan University,Kaifeng 475000,China)
出处
《镇江高专学报》
2018年第4期15-18,共4页
Journal of Zhenjiang College
基金
2016年度国家社科基金项目(16BZW145)
关键词
严歌苓
《第九个寡妇》
灵肉分离
灵肉合一
Yan Geling
The Ninth Widow
separation of the Soul from the Body
unity of the Soul and the Body
