摘要
作为远离中华帝国主要文化场域与核心政治环境的自然物象,昆仑山以其遥远恍惚的面目而频现于上古神话之中,成为一种具有文化象征意义的文学意象。昆仑因其与神话之间的天然联系而具有神圣化、模糊化等特性;在进入赋体之后,这些表征又与后者幻奇的内容元素、夸饰的文体特征相互作用,从而展现出了独特的文学面貌。另一方面,昆仑作为异于世俗的仙界场域象征,其所蕴藏的"超凡""越界"的寓意随时间推移而逐渐固化成为典故,并在赋的题材流变过程之中保持并巩固了自身的这一象征意涵。
As a natural image far away from the main cultural field and core political environment of the Chinese Empire,the Kunlun Mountains frequently appeared in ancient myths with a distant and moony appearance,which has become a literary image with cultural symbolic significance.Because of its natural connection with mythology,the Kunlun Mountains have the characteristics of sanctification and fuzziness.In Fu works,these characterizations were interacted with the fantastic elements and euphuistic style of Fu,showing a unique literary outlook.On the other hand,as a secular symbol of celestial field,the implication of“transcendency”and“transgression”of Kunlun has gradually solidified into allusion and its symbolic meaning maintained and consolidated in the process of evolution of Fu.
作者
董定一
DONG Ding-yi(Department of Literature,Tonghua Normal University,Tonghua 134002,China)
出处
《辽东学院学报（社会科学版）》
2018年第6期1-9,共9页
Journal of Liaodong University：Social Science Edition
基金
吉林省社会科学基金项目(2013B282)
关键词
赋
昆仑山
意象
神话
Fu
the Kunlun Mountains
image
myth
