摘要
周敦颐是北宋著名理学家,其礼乐思想不仅是对儒家传统的继承,也吸收了道家思想。他提出礼乐相济、礼先乐后的治国理念,并从形而上的层面对礼乐作了深刻的阐释,体现了他"明于天而性于人"的理学思想。他从天地境界的角度理解古圣王制礼作乐的意义,并针对礼法不修、人欲泛滥、文化衰颓的现实,主张以礼乐教化改变民心、醇化民风。他提出"淡而不伤,和而不淫"的音乐审美诉求,不仅含有儒家"中和"思想,也融入了道家"太和"理念,对后世,特别是古琴音乐的审美意识产生了重要影响。
Zhou Dunyi was a famous philosopher in the Northern Song Dynasty.His etiquette music thoughts were not only the inheritance of the Confucian tradition,but also took in from Taoism.He put forward the idea of ruling the country with the combination of etiquette and music,and made a profound interpretation of them on a metaphysical level,which embodied his neo-Confucianism thought of"being natural to heaven and being human".From the perspective of heaven and earth,he understood the significance of the etiquette music of the ancient sacred Kings,and proposed to change people's mind and mellow the people's spirit by the cultivation of rites and music,aiming at the reality of unpracticed rites and unpracticed human desires and declining culture.He proposed the music aesthetic appeal of"light without injury,harmony without fornication",which not only contained the Confucian idea of"neutralization",but also integrated the Taoist concept of"taihe",which had an important impact on the aesthetic consciousness of later generations,especially the Gu Qin music.
出处
《南京艺术学院学报（音乐与表演版）》
2018年第4期1-5,163,共6页
Journal of Nanjing Arts Institute:Music & Performance
基金
2017年度国家社会科学基金艺术学项目"晚明艺术思潮与心学理论研究"(项目编号:17BA020)阶段性成果
关键词
周敦颐
礼乐
教化
淡和
Zhou Dunyi
etiquette music
indoctrination
