摘要
1930年代中国电影从无声向有声的转变,是堪比"国片复兴"与"左翼电影运动"的重要历史推动力。孙瑜在此期间的电影创作经历了这一转变的完整历程,作为一个在影戏传统的影响下创作,并以积极介入社会现实的故事为电影内容的作者式导演,一方面他积极吸收欧美叙事电影的经典技法,另一方面他对电影的表意形式、煽情效果的主动探索与运用又使他的作品呈现出十分复杂的形式外观,而这种形式的复杂揭示出孙瑜早期的电影创作正处于一种由曾经稳定的形式本体——默片,过渡到另一种形式本体——有声电影的中间阶段。
The silent-to-sound film transformation in the 1930s significantly drove China’s cinematic development,comparable to the movements of“National Film Renewal”and the“Left-wing Cinema”.The exemplary figure who experienced the whole process of the transformation during the period was Sun Yu.Sun started his career in late 1920 sand was influenced by“Ying Xi”(“Shadowplay”).As both a writer and a director,Sun actively engaged in social reality,as can be seen from the films he produced.He absorbed western classic narrative techniques in filmmaking on one hand,and made active exploration into other forms of expressions and effects of conveying feelings on the other hand.As a result,his early film works appeared to be complex in forms and appearance,possibly indicating that these works were in the midway of the silent-to-sound film transformation.
作者
程波
伍俊
CHENG Bo;WU Jun(School of Film and Television Art do Technology,Shanghai University,Shanghai 200072,China)
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2018年第6期45-54,共10页
Journal of Shanghai University(Social Sciences Edition)
基金
上海市哲学社会科学中青班项目(2018)
关键词
孙瑜
电影本体
有声电影
吸引力电影
Sun Yu
film ontology
sound film
cinema of attractions
