摘要
戏曲作为中国文化的主要载体之一,既存在着大小传统一致认可的文化成分,又成为大小传统的交汇地带。戏曲的教化功能实现了大传统对小传统的连结,娱乐特质实现了小传统对大传统的和合,二者反向的路径选择合谋完成了戏曲文化中大小传统的交汇;而宗教意识作为大小传统贯通的文化成分,容纳了各个层次的受众群体,并和前二者一起促成了戏曲区隔于其它文艺体裁的独特的流行艺术风貌。
As one of the major vehicles for Chinese culture,traditional opera contains unified cultural elements and converging content between Great tradition and Little tradition.The instructing function of traditional opera links up Great and Little traditions;The entertainment qualities of traditional opera has realized the harmony of Great and Little traditions--The conspiracy of these two reverse paths achieves the convergence of the Great tradition and Little tradition.The religious consciousness,as a cultural component connecting the Great and Little traditions,holds the audience groups at all levels,and promotes the unique pop art style of traditional opera separated from other literary genres,together with the former two elements.
作者
王福雅
WANG Fu-ya(School of Liberal Arts and Law,Changsha University of Science and Technology,Changsha 410114,China)
出处
《齐鲁学刊》
CSSCI
北大核心
2018年第5期133-137,共5页
Qilu Journal
基金
湖南省社会科学成果评审委员会项目"湖南戏曲口述史料的采集与研究"(XSP17YBZZ120)
关键词
戏曲文化
大小传统
交汇
互融
traditional opera culture
Great and Little Traditions
converging
merging
