摘要
《画——国画史论集》作为饶宗颐有代表性的中国传统艺术史论著,比较集中地反映了饶宗颐独特的艺术史观和艺术阐释路径与方法。饶宗颐从文化史视野出发,采用历史文化还原方式,对传统艺术的历史性、连续性做了非常精细的精神考索,以汇通的手法处理艺术对象,实现文、史、哲、艺的相互交融,彼此触发,给我们以强烈的历史整一性、连续性,从而极大地张扬了传统艺术在形塑当代民族文化认同方面的价值和意义。饶宗颐的古典艺术阐释的文化精神,应该被视为对民族文化之根的追寻,对一个国家、民族文化记忆的守护。
Comments on Painting:A Collection of the History of Chinese Painting,as Rao Zongyi’s repre?sentative works on the traditional Chinese art,reflected the unique historical viewpoint of art and the special method of artistic interpretation.From the perspective of art history,Rao Zongyi had intensively observed and studied the continuity of the traditional art history in the historical reduction way,which greatly enhanced the value and significance of traditional art in the contemporary national cultural identity.It should be regarded as the pursuit of the root of national culture and the protection of national culture memory.
作者
郭景华
殷学国
GUO Jing-hua;YIN Xue-guo(College of Literature and Journalism,Huaihua College,Huaihua,Hunan,418008;College of Literature and Journalism,Hanshan Normal University,Chaozhou,Guangdong,521041)
出处
《韩山师范学院学报》
2018年第4期28-36,共9页
Journal of Hanshan Normal University
基金
广东省哲学社会科学"十二五"规划项目(项目编号:GD13XZW13)
广东省高校人文社会科学重点研究基地重大项目(项目编号:2014WZDXM038)
关键词
饶宗颐
艺术史论
文化认同
文化精神
Rao Zongyi
artistic history
Cultural Identity
cultural spirit
