摘要
《长城》在东方主义话语的夹缝中诞生,它在东方元素的呈现、东方女性主义的表述以及东西文化平等凝视与消解融合方面所做的审美转身,充满着对东方主义话语的批判与质疑,是张艺谋运用融合思维平衡电影艺术、网络资本和本土文化的一次深入探索。
The movie Great Wall is born in the cracks of orientalist discourse.Its aesthetic turn and brave attempts in the presentation of oriental elements,the expression of oriental feminism and the mixture of equal staring and dispelling from the eastern and western cultures are filled with criticism and query towards the orientalist discourse.The movie is also Zhang Yimou’s further exploration in application of the comprehensive thinking to balance the relationship among movie arts,network capitals and the native culture.
作者
蔡贻象
余音
CAI Yixiang;YU yin(School of Humanities,Wenzhou University,Wenzhou,China 325035)
出处
《温州大学学报（社会科学版）》
2018年第4期110-116,共7页
Journal of Wenzhou University：Social Science Edition
基金
国家社科基金艺术学项目(13BC029)
