摘要
汉代上郡、西河郡属于今陕北、晋西一带,是秦汉时期的边陲军事重镇,也是北方和西方交流的重要通道,这一地区的汉画像集中在东汉中晚期,造型繁复,姿态优美,图像主要集中在墓门之上。朱雀铺首衔环是墓室门扉上的主要图像,以模印的方式制作,以母题为原型嬗变。对朱雀铺首衔环图像原型的考辨、图像演变的研究、图像意义的挖掘,可以窥知汉代文化意涵、美学意蕴在图像中的留存,了解早期中国的神仙谱系、宗教信仰、文化嬗变,理解遗留在两千多年前的汉画像石朱雀衔环图像中的文化密码。
Shangjun and Xihejun of Han Dynasty are in the north of Shannxi province and the west of Shanxi province nowadays,which was the important military base and the core of western and northern exchange.The portrayal of the area mainly focused in the middle and late Eastern Han Dynasty,with the features of complicate modeling,beautiful posture,most of which were on the door of tomb.“Door Knocker with Rosefinch Base”was the major image on the door of tomb,which was made with press back and evolved with the original theme.Research on the original image,evolution,significance of“Door Knocker with Rosefinch Base”can show the connotation of Han culture and aesthetic significance in the image,which is significant for the understanding of supernatural beings,religion,culture of early China in the cultural code of the image 2000 years ago.
作者
蔡惠萌
CAI Hui-meng(School of Arts and Design,Hunan First Normal Univeristy,Changsha,Hunan 410205)
出处
《湖南第一师范学院学报》
2018年第1期94-99,109,共7页
Journal of Hunan First Normal University
基金
湖南省社科基金项目"汉画像写意形态与民族审美意识"(11yba086)
关键词
汉画像
朱雀铺首衔环
图像原型
美学意蕴
portrayal of Han Dynasty
“Door Knocker with Rosefinch Base”
orginal image
aesthetic significance
