摘要
2018年3月,洛杉矶歌剧院与芝加哥乔佛瑞芭蕾舞团(Joffrey Ballet Chicago)合作,在洛杉矶多萝西·钱德勒音乐厅(Dorothy Chandler Pavilion)演出了格鲁克(Christoph Willibald Gluck)歌剧《奥菲欧与优丽狄茜》(Orpheus and Eurydice)。此前,洛杉矶歌剧院推出了意大利语版歌剧《奥菲欧与优丽狄茜》,在该版中由女中音饰演奥菲欧;而此次《奥菲欧与优丽狄茜》制作,洛杉矶歌剧院则选用了1774年的法语版本,并由男高音饰演奥菲欧,更在演出中加入了更多的舞蹈段落。这一新版制作,为芝加哥抒情歌剧院、洛杉矶歌剧院和汉堡国家歌剧院联合制作。
Last month, the Los Angeles Opera presented Christoph Willibald Gluck's Orpheus and Eurydic e in conjunction with Chicago's Joffrey Ballet at the Dorothy Chandler Pavilion. Conductor James Conlon led the modern orchestra in Gluck's music with magnificent results. A conductor who specialized in performing in 18 th-century style on period instruments might have created a leaner sound, but Conlon's meaty tones fit this production's combination of old and new perfectly.
出处
《歌剧》
2018年第4期35-37,共3页
Opera
