摘要
韩国单色画缘起第二次世界大战以后的西方极简主义,因此其画面处理往往采用极简主义样式,但在图式呈现、画面语言、制作媒材方面则富有独特性。韩国单色画借助东亚文化的寓意来体现其灵魂,不但具有形式感而且富有内涵,而且超越了极简主义的单一性视觉感,并以自有的民族性特点来展现其韵味。
Danseakhwa originated from the Western minimalism after the Second World War,so its picture processing often adopts minimalism style,but it has unique characteristics in schema presentation,picture language and production media.Danseakhwa embodies its soul through the implication of East Asian culture.It not only has a sense of form and connotation,but also surpasses minimalism and a unique sense of vision,and shows its charm with its own national characteristics.
作者
谭求
谭洋
TAN Qiu;TAN Yang(Zhejiang Industry&Trade Vocational College,Wenzhou 325000,China;Jiangxi Vocational College of Industry&Engineering,Pingxiang 337000,China)
出处
《金华职业技术学院学报》
2018年第2期85-88,共4页
Journal of Jinhua Polytechnic
