摘要
文学插图作为文学与美术跨学科交叉的艺术样式,一直以来并没有受到应有的重视。乔光辉《明清小说戏曲插图研究》从插图的空间叙事入手,以插图解读作为全书的核心,将严谨的学理逻辑与本土的实证案例相结合,是一部明清小说戏曲插图学的奠基之作。
As an interdisciplinary art style of literature and art,literary illustration has not been paid enough attention to.Qiao Guanghui’s Studies on Illustrations of Novels and Dramas in the Ming and Qing Dynasties starts with narrative space of the illustrations and uses illustrations interpretation as the core of the whole book.It embodies the rigorous theoretical logic and local empirical cases.The book is also a laying-foundation work to study the illustrations of novels and dramas in Ming and Qing Dynasties.
作者
杨帆
YANG Fan(College of Humanities,Southeast University,Nanjing 211189,China)
出处
《淮海工学院学报（人文社会科学版）》
2018年第3期41-44,共4页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
基金
江苏省社会科学基金项目(14ZWA002)
关键词
《明清小说戏曲插图研究》
空间叙事
“语—图”互文
插图批评
Studies on Illustrations of Novels and Dramas in the Ming and Qing Dynasties
spatial narration
“word-image”intertextuality
illustration criticism
