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论许鞍华电影的现实主义——《桃姐》和《黄金时代》的对比分析

The Realism in Xu Anhua's Films:A Comparative Analysis of A Simple Life and The Golden Era
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摘要 香港女导演许鞍华向来以女性关注著称,尤其倾向关注女性的困境,呈现出鲜明的现实主义风格。《桃姐》和《黄金时代》是她的代表性作品,这两部电影虽然人物类型和时代背景都有较大差异,却显示了许鞍华现实主义风格的多样和丰富。《桃姐》沿袭她一以贯之的普通人命运话题,以真实生动的细节见长,表现繁华落尽见真淳的朴素之美。《黄金时代》则借助对镜独白与文学语言来追忆历史人物,以求对再现传奇的真实表达。 The Hong Kong female director Xu Anhua is well-known for her concern on females,especially females in dilemma.Her films present a distinct realistic style.A Simple Life and The Golden Era are two representative films of Xu Anhua,demonstrating different aspects of realistic styles with completely different characters and time settings.A Simple Life follows her continuous film theme of common people’s life,with real and vivid details,embodying the beauty of truthfulness.The Golden Era reminisces historical figures with monologues directly facing the camera and literary languages,in order to realize the truly presenting of the legend.
作者 王宁 Wang Ning
出处 《南京师范大学文学院学报》 CSSCI 北大核心 2018年第1期147-151,共5页 Journal of School of Chinese Language and Culture Nanjing Normal University
基金 2016年江苏省社科应用研究精品工程外语类课题"中国大陆影视海外传播的国家形象构建及外宣翻译策略"(项目号:16jsyw-53)
关键词 许鞍华电影 《桃姐》 《黄金时代》 现实主义 Xu Anhua's films A Simple Life The Glden Era realism
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