摘要
以独特创新为要义的艺术创造观念始于西方文艺复兴时期至19世纪,并从一种艺术价值观转化为具普遍示范意义的文化价值观。艺术创造性的标准在于独特与新颖,并具体表现于所指层面的观念创新与能指层面的艺术语言创新。艺术创新与美并无必然联系,创新并非美的必要与充分条件。创造乃起于西方并盛行于现当代艺术与文化界的独特观念,而非人类艺术必然、唯一与普遍的审美与文化追求。创造乃人类文化活动环节之一,唯创造与承传、吸收相济,方可构成健全文化景观,故而以呈真与法道为要义的艺术观正可成为对创造艺术观之必要补充。
The concept of art creation,characterized by unique innovation,originated from the Renaissance period to19th century and changed itself from an art value into cultural values with universal significance.The criteria of art creation lie in uniqueness and originality,which are manifested in the concept innovation of the signified and the language innovation of art of the signifier.In a sense,there is no absolute connection between art innovation and beauty,and innovation is not the necessary and sufficient condition of beauty.Meanwhile,creation is a unique concept in the modern art and cultural circles,not a necessary,only,universal aesthetic and cultural pursuit of human art.In a word,creation is one step of human cultural activities and a complete landscape of culture can only be achieved through creation,inheritance,and mutual absorption.Therefore,the concept of art,with truth and law as its core,is necessarily supposed to be a complementary element to the art concept of creation.
作者
薛富兴
XUE Fu-xing(College of Philosophy, Nankai University,Tianjin 300353,China)
出处
《美育学刊》
2018年第2期1-9,共9页
Journal of Aesthetic Education
关键词
创造
观念创新
语言创新
呈真
法道
Creation
concept innovation
language innovation
truth
law
