摘要
在新媒体时代,文学媒介的数字化与图像化转向直接推动了阅读接受方式的转变。这场变革的直接结果是,文学文本的意义接受场域从平面化的文本界面变成立体式的虚拟互动空间,文学文本从传统的图文分化形态转变为"语图文一体"的数字化存在,文学阅读也从传统的作者——读者单向传播模式转变为群体协作者之间的多元交互模式。文章以网络文学、电子书和微信朋友圈为例,揭示了文学媒介的"语图符号转向"对其审美接受的影响,并以此来阐释当代文学阅读方式变革的理论意义。
In the era of new media,the digitization and picturization of literary media make the results of the transformation of read.The direct result of this revolution is that the meaning of literary text field has been changing from the plane into a three-dimensional virtual interactive space;at the same time,literature reading has also been changing from the traditional author-reader’s one-way communication mode to group collaboration between multiple interactive mode.This paper takes the literary websites and books as examples,and reveals the influence of the"language and icon symbol turn"of literary media on the aesthetic reception,and explains the theoretical significance of the change of contemporary literary reading style.
作者
鲍远福
BAO Yuan-fu(Minzu University of Guizhou,Guiyang 550025 China)
出处
《河北民族师范学院学报》
2018年第1期41-48,共8页
Journal of Hebei Normal University For Nationalities
基金
2015年国家社科基金项目"‘跨媒介文学’生产与传播研究"(15XZW034)
2016年贵州民族大学人才引进项目"网络游戏艺术的符号表意研究"(16rcyjxm008)
关键词
语图关系
阅读范式
交互性阅读
“症候式”阅读
“碎片化”阅读
Relationship between Language and Icon
Reading Paradigm
Interactive Reading
“Symptomatic” Reading
“Fragmentation” Reading
