摘要
以余华九十年代以来长篇小说中的主要女性人物为研究对象,以女性主义文学批评视角,就余华所塑造女性人物的相貌、性格、职业特征三个方面为切入点,揭示余华在进行人物设置时潜藏在背后的典型男权思想。在生存表象上看,诸位女性早已不必如封建社会中的传统女性那样去遵从"三从四德"的古旧训言,但余华出于男权价值观所塑造的这些女性,最终的命运归宿依然是在男权体系的樊篱内徘徊,承受着来自于它的"颂扬"或者审判。洞观余华出于传统的男权无意识,对女性个体的规约意图,对她们自立可能的变相否定。最后从文化历史的角度,探寻余华这一创作心理生成的原因。
Based on the research into,the main female characters in the novels of YuHua since1990s,the feminist literary criticism perspective,and the three aspects of Yu Hua’s female characters in appearance,character,occupation,this paper has revealed the hidden typical patriarchal ideology.In the surface,the female characters do not have to be the feudal society’s traditional women to follow the old motto“the three obediences and the four virtues”,but Yu Hua has created these women whose,the ultimate fate is still hovering in the patriarchal system of barriers,and they suffer from its“praise”or trial.Yu Hua’s conventional intention of the female individuals starts from the traditional male chauvinism,and the possible denial of their independence.Finally,from the cultural and historical point of view,the paper explores the causes of Yu Hua’s psychology of creation.
作者
王琨
WANG Kun(Facaulty of Arts, Shaoguan University, Shaoguan 512000, China)
出处
《湖南工程学院学报（社会科学版）》
2018年第1期49-53,共5页
Journal of Hunan Institute of Engineering(Social Science Edition)
关键词
余华
女性人物
男性叙述
Yu Hua
female characters
male narration
