摘要
山地建筑设计要求建筑与环境和地形的有机结合.日本建筑师隈研吾的"负建筑"理论,强调了建筑设计不应过度在意本体造型,应遵循人与自然为本的可持续发展原则.分析了山地建筑特点在负建筑理论中的体现,并以2014年青岛世界园艺博览会青岛馆为例,从建筑造型、建筑空间、建筑材料及建筑色彩4个方面,探讨了"负建筑"理论在山地建筑设计上的影响与应用.
Mountain architecture design requires the organic combination of architecture,environment and terrain.Kengo Kuma,a Japanese architect,puts forward an idea in his theory of"defeated architecture"that we should not care too much about modeling in architecture design.Architects should take the harmony between humanity and nature as the foundation to carry on the sustainable development of the architectural design.This paper analyzes the characteristics of mountainous architecture reflected in the defeated architectural theory,and takes the2014Qingdao Museum of Qingdao World Horticultural Exposition as an example,from the four aspects of architectural form,architectural space,building materials and color to explore the influence and application of the concept of"defeated architecture"in the design of mountainous architecture.
作者
解旭东
任晓双
XIE Xu-dong;REN Xiao-shuang(School of Architecture, Qingdao University of Technology, Qingdao 266033, China)
出处
《青岛理工大学学报》
CAS
2017年第6期45-50,共6页
Journal of Qingdao University of Technology
关键词
负建筑
山地建筑
世园会
青岛馆
defeated architecture
mountainous architecture
World Horticultural Exposition
Qingdao Museum
