摘要
《骆驼祥子》首章采用全知心理叙事与自由间接引语相结合的方式,一方面在一个抽离了社会环境的"真空"中建构"英雄"祥子实现买车梦想的"乌托邦"幻象,另一方面,又细致勾勒出必然走向死亡的洋车夫系统,暗示祥子在该系统中非但不能实现梦想,还会宿命地走向悲剧的事实。首章颇具反讽意味的设计,为后文描写祥子欲望消解、理想破灭提供了叙事动力,同时使得小说对社会以及个人主义的批判更显深刻,对个人英雄的凭吊与祭奠更显突出,也与后文共同构成了小说的张力效果。
The first chapter of Camel Xiangzi,using psychological omniscient narration and free indirect speech,on theone hand,constructs a "Utopia" story about "hero" Xiangzi who realizes the dream of buying a rickshaw,on the otherhand,outlines the inevitable trend of the rickshaw system of death,which means that Xiangzi is not only impossible torealize his dream,but also certain to face the tragedy of fate. The design of irony of the first chapter of Camel Xiangziprovides a narrative power for the description of Xiangzi's resolving of desire and disillusioning of ideal,and makes thecriticism of social problems and individualism more profound,and highlights a memorial ceremony for individual hero,andconstructs the tension effect of the novel combined with the following text.
作者
张望
ZHANG Wang(College of Literary Arts,Southwest University,Chongqing 400715,China)
出处
《顺德职业技术学院学报》
2016年第4期61-65,共5页
Journal of Shunde Polytechnic
基金
中央高校基本业务费专项资金资助项目(SWU1609312)
关键词
《骆驼祥子》
首章
宿命悲剧
英雄建构
自由间接引语
Camel Xiangzi
the first chapter
fate tragedy
hero construction
free indirect speech
