摘要
在我国传统漆工艺品中,漆器可谓光彩夺目,它表面看似很光滑,但纹理又层层叠加复杂多变,斑斓迷离、变幻莫测的纹理成就了它的美。现存《髹饰录》是我国唯一的古代漆工专著,为明代徽州黄成所著。犀皮,文有片云、圆花、松鳞诸斑,寥寥十几字,却让我们浮想联翩。徽州犀皮漆器最重要的特征就是流动变幻的纹理,犀皮或作"西皮"或"犀毗"。线条的动态与绚丽的色彩相结合,美丽的浮动,变幻莫测,这是犀皮特有的形式,表达着人与自然相互渗透不可分割的关系,隐含了天地人和的技艺。
Lacquerware is so common in Chinese traditional lacquer crafts. It has a smooth surface with miscellaneously folded texture and floating mottled stripe, regularly presenting a kind of gorgeous, mystic and changing beauty. Xiushi Lu, written by Huangcheng in Huizhou of Ming dynasty, is a unique ancient Chinese treatise on the craft of lacquering. Just a few characters like lacquering leather, a cloudlet in the texture, round flower, loose scale and various stripes will usher us to an imaginary world. The most vital characteristic of rhinoceros leather lacquer in Huizhou is floating and changing texture. Rhinoceros leather can be also called as “Xipi” or “rhinoceros pi”. The combination of dynamic lines and gorgeous colors presents a beauty of floating and changing. It is also a unique form of rhinoceros leather, which conveys the interpenetrating and inseparable relationship between human and nature. It also implies the art of the unity of nature and mankind.
作者
刘元元
LIU Yuan-yuan(School of Arts, HuangShan University, Huangshan 245041, China)
出处
《遵义师范学院学报》
2016年第5期146-150,共5页
Journal of Zunyi Normal University
关键词
犀皮
漆艺
技术
抽象
rhinoceros leather
lacquer art
craft
abstract
