摘要
《老生》开创了民族集体无意识书写的一种新范式。经由对历史和记忆事实的"山"的层面的还原,与对民族集体无意识流变生成的"河"的层面的还原,刻画出了集体无意识的流变和生成,勾勒出其中的变和不变,展示了民族集体无意识与历史具体处境的交互关系,深化并推进了鲁迅式的现实型文学思路,同时也奠定了一种新的生命书写范式。以集体无意识书写所建造的巨大而幽深的真实图景,呈示生命沉沦和异化的生成机制,探寻其恢复本真的可能性和必由之途。
Lao Sheng created a new paradigm of writing in collective unconsciousness. Via the reduction of the facts of history and memory which belonged to the level of "mountain", and the reduction of rheologically generated collective unconsciousness which belonged to the level of "river", it characterized the rheology and generation of collective unconsciousness, outlined the variability and the invariability, and showed the interactive relationship of national collective unconsciousness and historical specific situation, which deepened and advanced realistic literary thought of Lu Xun's type, at the same time ,it also laid a new paradigm of life writing. Through the huge and deep real picture built by the collective unconscious writing, it presented the generation mechanism of life to ruin and alienation, explored the possibility and the only way to return to true life.
作者
李荣博
LI Rong-bo(College of Language and Cultural Communication, Shangluo University, Shangluo 726000,Shaanxi)
出处
《商洛学院学报》
2016年第5期1-10,共10页
Journal of Shangluo University
基金
陕西省社会科学基金项目(2015J004)
关键词
《老生》
真实性
集体无意识
生命书写
Lao Sheng
reality
collective unconsciousness
life writing
