摘要
中国古典美学体系实质上是以"意象"为基础范畴的审美本体体系,绘画美学则侧重于从艺术的角度看待审美,所以"意象"就成为美学本体论的基本范畴。中国古典美学将"象"作为本体之基,是通过对"象"的观察去把握"道",中国绘画创造的思维过程实质上就是意象的思维过程。本文立足从中国画的创作思维的角度探究意象的形成步骤,以达到对情和景二种基本因素构成的"意象",这一中国古典美学的审美本体做出全面的诠释。
Chinese classical aesthetics system essentially based on 'image' as the aesthetic aspects of ontology-based system,Painting aesthetics focuses on the aesthetic from an artistic perspective,Therefore,the 'image' has become the basic ontological category of aesthetics.Chinese classical aesthetics of 'imagery' as the body of the base,through the 'imagery' observation to grasp the 'Truth',Chinese painting to create images of the thought process is essentially the thinking process.This article based on creative thinking from the perspective of traditional Chinese painting images to explore the formation of steps,To achieve the right situation and King are two basic factors constitute the 'image',The aesthetics of Chinese classical aesthetic identity to make a comprehensive interpretation.
关键词
中国古典美学
审美
意象
思维
study of Chinese classical aesthetics,imago appreciation of the beauty,imagery,thought
