摘要
《青红》走俏戛纳之后,王小帅被烙上"国际导演"的美誉,也让这位导演从地下跑到地上,战战兢兢的面对从来没有如此热情过的镜头,有些恍惚。经历了整整十年的艺术探索,他依然保有着自己艺术上的完整。在商业当道的年代里,王小帅自醒着电影之路,如此固执。
Ever since 'Shanghai Dream' got its fume on Cannes International Film Festival,Mr.Wang Xiaoshuai have been accredited the 'international director',emerging eventually from the underground,fascinated and confused when welcomed by the camera which rarely showed such ardency before. He has kept the integration of his arts after a decade's of artistic exploration. Persistently and self-reliantly, he holds on to his own road, despite the dominance of commerce-oriented styles in the movie industry.
出处
《大美术》
2005年第8期82-85,134,共5页
