摘要
许多评论家对１７世纪英国玄学派诗歌的研究多集中在对其诗艺、风格的细读分析上，而忽视其与世事的联系。但借助女性主义和后殖民主义批评的双重视野可以发现，事实上，在玄学派诗人主将约翰·多恩常用的诗歌艺术手段如巧智、奇喻背后，有两种权力话语在运作：一为男权中心话语；一为殖民话语。这两种话语在诗人作品中无意识的反映，既有生理的、文化的因素，更与当时的整个时代氛围和诗人生平有着密切的联系。实际上，玄学派诗人以其创作的诗歌文本有意无意地参与了殖民主义者建构“他者”的文本世界的过程。
Criticism of the English Metaphysical Poets has largely been focused on their arts rather than their social connections. Though the insights of the feminist and poet-colonialist criticism, two power discourses may be found working behind John Donne's art: one of male-chauvinism and the other of colonialism. These two discourses, though unconsciously expressed, are closely related to the poet's life experience and his contemporary society. The Metaphysical Poets, in fact, participated either consciously or sciously with the colonialists in constructing their textual world of the 'others'.
出处
《浙江大学学报（人文社会科学版）》
CSSCI
北大核心
2001年第5期37-42,共6页
Journal of Zhejiang University:Humanities and Social Sciences
