摘要
《汉书·艺文志》中的"形法"是中国城乡规划设计史上一个十分重要的概念。《汉书·艺文志》所载形法类相地书涉及不同的地理尺度,但是都具有"举九州之势,以立城郭室舍"的共同特征,推测其实质内涵是不同尺度的地形地势都蕴含"井字"或"九宫"的空间格局。推测《汉书·艺文志》所载《宫宅地形》是关于方位制度之书,探讨宫宅地形的高下向背特征及其相应的吉凶含义,在当时的知识分类中,"数术"中的"形法"是构成城乡规划设计知识的重要方面。随着后世科学技术的进步和社会观念的变化,"形法"概念本身也发生了嬗变,城乡规划知识传统经历了重构的过程。
Xingfa(Principle of Form) is an important concept of urban and rural planning and design in early China. According to the Yi Wen Zhi(Record of Art and Culture) of Hanshu(The History of the Han Dynasty, 206 B.C.-23 A.D.), there are six books of Xingfa in total, in which Gong Zhai Di Xing(Landform of the Palace and House) is closely related to the urban planning and design, and it contains the principles of how to decide auspiciousness or inauspiciousness of the palace or house by comparing the length, width and height of the site with its details in eight directions. The paper discovers the planning and design methods to build the city and house by following the spatial structure of the Jiuzhou(Nine districts of Ancient China), which could also be regarded as the pattern of the Jiugong(Nine Squares, Nine Palaces) or the shape of the Chinese character of Jing(the Well).
出处
《城市设计》
2016年第1期80-91,共12页
Urban Design
基金
国家自然科学基金(51378279)
高等学校博士学科点专项科研基金(20130002110027)
关键词
形法
城乡规划
城市设计
《汉书·艺文志》
风水
Xingfa(Principle of Form)
Urban planning
Urban design
Yi Wen Zhi(Record of Art and Culture) of the Hanshu(History of the Western Han)
Fengshui theory(Geomantic theory)
