摘要
审美幻象与审美意识形态构成了20世纪英国马克思主义美学整体把握当代文化经验与审美表达机制问题的独特的理论范式与问题领域,展现了在理论探索与文化反思中整体把握现实文化问题的理论意义。20世纪英国马克思主义美学中的审美幻象与审美意识形态不仅是一种理论观念,而且是一种重要的理论范式,这种理论范式重视当代文化生产的现实语境与审美体验的现实特征,积极面对现实生活情境中的各种挑战,深刻地揭示了历史与现实交汇中审美幻象的表征机制,因此不但对当代美学格局的拓展起到了积极的促进作用,而且增强了马克思主义美学理论与当代文化发展的对话能力,体现了马克思主义美学研究的当代立场。
Aesthetic illusion and Aesthetic ideology constituted the main theoretical pattern and problem areas of 20th century British Marxist Aesthetic explored completely contemporary cultural experience,and demonstrated its significance in theory exploration and culture reflection.Not only were Aesthetic illusion and Aesthetic ideology in 20th century British Marxist Aesthetic an theory concepts,but an important theory pattern,because it paid attention to the realistic characteristics of contemporary aesthetic experience and realistic context of contemporary culture production,and faced actively the challenges from the reality,and revealed profoundly the rules of aesthetic expression between history and reality.It not only expanded the actual state of contemporary aesthetics,but enhanced the capacity of Marxist Aesthetic dialogue with the reality,and reflected the contemporary position of Marxist Aesthetic.
出处
《马克思主义美学研究》
CSSCI
2009年第1期133-144,共12页
Research on Marxist Aesthetics
关键词
审美幻象
审美意识形态
审美变形
马克思主义美学
Aesthetic illusion
Aesthetic ideology
Aesthetic deformation
Marxist Aesthetic
