摘要
李志宏的认知美学以康德美学的先验图式为模型,建构出一个所谓"认知模块",把美的产生和存在归结到人的认知,明显地倒退到了西方近代认识论美学的水平上,又离开了人类的社会实践,把美的生成说成是源自功利性的感知。这充分显示出,认知美学的先天不足和后天失调,是一个不健康的学术胎儿。
Li Zhihong’s cognitive aesthetics to the transcendental schema of Kant’s aesthetics as a model it is processing the a cognitive module, the beauty of the emergence and existence comes down to people’s cognitive, obviously regressed to the modern western epistemology aesthetics and left human social practice, it is to speak of the generation of beauty that is from utilitarian perception. This fully shows that the cognitive aesthetics would be congenitally deficient and acquired disorders, it is not a healthy academic fetus.
作者
张玉能
张弓
ZHANG Yuneng;ZHANG Gong(College of Chinese Language and Literature,Central China Normal University,Wuhan,Hubei 430079,China;School of Humanities,East China University of Politics and Law,Shanghai 201620,China)
出处
《城市学刊》
2018年第5期31-36,共6页
Journal of Urban Studies
基金
华东政法大学校级科研项目(17HZK033)
关键词
认知美学
“认知模块”
西方近代认识论美学
康德
cognitive aesthetics
the cognition module
western modern epistemology aesthetics
Kant
