摘要
香港著名武侠电影导演张彻在上世纪七八十年代拍摄了多部改编自明清小说的影片。张彻在节选《水浒传》、《三国演义》等小说的经典情节加以改编的同时,不仅对这些原著情节进行了易变和虚构,而且亦在此基础上对原著人物形象进行了影像化重塑。这种针对明清小说的情节、人物改编主要是源于张彻本人所一直秉持和追求的"阳刚电影美学"。张彻电影对于明清小说的改编创作既投射出当时的香港电影艺术家对于中国古典名著的独特理解与诠释,也为其后香港电影的此类艺术创作提供了极具参考价值和启迪意义的实践、审美经验。
Zhang Che,the famous director of swordsman movie in Hong Kong,made many films adapted from novels of Ming and Qing dynasties. Zhang Che excerpted the classic plots from novels,such as The Water Margin and The Romance of the Three Kingdoms,of Ming and Qing dynasties,he not only changed the plots from original works,but also characterized the images of characters in the original works on the basis of plots adaption. The adaption on plots and characters for novels of Ming and Qing dynasties rooted from ＂masculine aesthetics of movie＂ which Zhang Che always insisted to present in his films. Zhang Che＇s adaption on novels of Ming and Qing dynasties not only reflects the unique understanding and explanation on novels of Ming and Qing dynasties from movie artists of Hong Kong in 1970s to 1980s,but also provided practical and aesthetics experience which had reference and revealing value for the adaption of Hong Kong movie.
作者
王凡
WANG Fan(College of Literature,Shandong Normal University,Jinan Shandong 250014,China)
出处
《顺德职业技术学院学报》
2018年第4期74-78,共5页
Journal of Shunde Polytechnic
关键词
张彻
明清小说
文学改编
武侠电影
电影作者
Zhang Che
novel of Ming and Qing dynasties
adaptation
swordsman movie
film author
