摘要
《进入黑夜的漫长旅程》是20世纪美国剧作家奥尼尔的一部自传体四幕剧,讲述了泰隆一家人悲剧性的生活经历与心灵体验。本文采用文本细读的方法,通过表演性理论对《旅程》进行研究,指出剧中人物在生活当中借助无形的面具建构戏剧化的自我,在文本的引用当中创造文本化的自我,在不断重复的记忆当中完成仪式化的自我。剧中所有人物都试图通过表演自我来进行主体性建构。戏剧化的表演成为剧中人物生存的根基。自我的表演反映了现代美国人破碎的世界与异化的灵魂,也很好地诠释了身份认同的普遍表演性特征。
Long Day＇s Journey into Night is Eugene O＇Neill＇s autobiographical four-act play written in the 20th century about tragic life and metal sufferings of the Tyrone＇s family. This paper explores the play from the perspective of performativity by close-reading of the text, indicating how the characters in Long Day ＇s Journey into Night theatricalize the Self behind invisible masks, textualize the Self in （re）citing texts, and ritualize the Self in recurring past memories. All the characters try to construct themselves by performing the Self and the theatrical performance turns out to be the only purpose of living for the characters. The performance of the Self reflects the broken world and alienated soul of modem Americans, and expresses the universal performativity of identity.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2018年第5期55-67,共13页
Drama:The Journal of the Central Academy of Drama
基金
2016年国家社科基金项目"二十世纪美国戏剧中的表演性研究"(项目编号:16BWW057)的阶段性成果
