摘要
应合着多元话语相互博弈的生成需求,新时期革命历史小说的影视剧改编场域呈现出日常叙事与奇观叙事缠绕交织的建构格局。放置在革命重述中的民间、情色和暴力叙事,释放出红色文化基因与当代大众意识龃龉互融的复杂能量,这种穿行在日常美学和影像奇观之间的叙事建构,在丰富、深化革命出场和继承的审美视域的同时,也可能会拉低革命精神的纯粹性和严肃性,创编者应该注意规避娱乐至上的文化传播理念和游戏崇高的历史虚无主义价值观。
To meet the generative demands of game players of diversified powers, the adapting field of revolutionary-historical novels for film and televion shows a narrative trend characteristic of interwoven everydayness and legendization. Folklore, eroticism and violence coexisting in the revolutionary stories told anew, lead to a complex momentum generated by the red-cultural gene and the contemporary mass consciousness as well, which conflict with each other and go together with each other, hand in hand. This kind of narrative construction which travels through everyday aesthetics and film-television legendization can enrich and deepen the field aesthetics revealing the revolution＇s coming on the stage and its inheritance. Meanwhile, the method discussed above can also degrade the revolution＇s purity and solemnity. Therefore, the adapters should try his best to get away from both the funny-or-die spirit in transmitting culture and the historical nihilism being aimed at playing with loftiness.
作者
赵庆超
ZHAO Qing-chao(Institute of Humanity,Jinggangshan University,Ji＇an 343009,China)
出处
《聊城大学学报（社会科学版）》
2018年第6期35-42,共8页
Journal of Liaocheng University:Social Science Edition
基金
江西省社会科学规划项目(15WX08):革命的赋魅与祛魅重述:新时期革命历史小说影视剧改编研究
关键词
新时期
革命历史
叙事
传奇
日常
contemporary times
revolutionary history
narration
legendization
everydayness
